The more than 2,700 members of the European Film Academy – filmmakers from across Europe – have voted for this year’s European Film Awards. At the awards ceremony in Berlin the following awards were presented:
EUROPEAN FILM 2012:
France / Germany / Austria, 127 min
written & directed by Michael Haneke
produced by Margaret Menegoz, Stefan Arndt, Veit Heiduschka & Michael Katz
EUROPEAN DIRECTOR 2012:
Michael Haneke for AMOUR
EUROPEAN ACTRESS 2012:
Emmanuelle Riva in AMOUR
EUROPEAN ACTOR 2012:
Jean-Louis Trintignant in AMOUR
EUROPEAN SCREENWRITER 2012:
Tobias Lindholm & Thomas Vinterberg for JAGTEN (The Hunt)
CARLO DI PALMA EUROPEAN CINEMATOGRAPHER AWARD 2012:
Sean Bobbitt for SHAME
EUROPEAN EDITOR 2012:
Joe Walker for SHAME
EUROPEAN PRODUCTION DESIGNER 2012:
Maria Djurkovic for TINKER TAILOR SOLDIER SPY
EUROPEAN COMPOSER 2012:
Alberto Iglesias for TINKER TAILOR SOLDIER SPY
EUROPEAN DISCOVERY 2012 – Prix FIPRESCI:
KAUWBOY by Boudewijn Koole (The Netherlands)
EUROPEAN FILM ACADEMY DOCUMENTARY 2012:
HIVER NOMADE (Winter Nomads) by Manuel von Stürler (Switzerland)
EUROPEAN FILM ACADEMY ANIMATED FEATURE FILM 2012:
ALOIS NEBEL by Tomáš Luňák (Czech Republic / Germany / Slovakia)
EUROPEAN FILM ACADEMY SHORT FILM 2012:
SUPERMAN, SPIDERMAN OR BATMAN by Tudor Giurgiu, Romania
EUROPEAN CO-PRODUCTION AWARD 2012 – Prix EURIMAGES:
Helena Danielsson, Sweden
EUROPEAN ACHIEVEMENT IN WORLD CINEMA 2012:
Dame Helen Mirren, UK
EUROPEAN FILM ACADEMY LIFETIME ACHIEVEMENT AWARD:
Bernardo Bertolucci, Italy
THE PEOPLE’S CHOICE AWARD 2012:
HASTA LA VISTA (Come As You Are)
directed by da Geoffrey Enthoven
The European Film Awards 2012 are presented by the European Film Academy e.V. and EFA Productions gGmbH with the support of the Maltese Ministry of Finance, Economy and Investment, the Malta Film Commission, FFA German Federal Film Board, the German State Lottery Berlin, the German State Minister for Culture and the Media, the MEDIA Programme of the EU, Medienboard Berlin-Brandenburg, Air Malta p.l.c., ARTE, CinePostproduction, EGEDA – filmotech.com, Film Corporation, GLS, MFCC, Panalight Nexos Mediterranea and ZDF.
Official Hair styling partner: Goldwell
Official make-up partner: M∙A∙C
EFA PATRONS 2012: ★ CENTRE DU CINEMA OF THE FEDERATION WALLONIA BRUSSELS ★ DANISH FILM INSTITUTE ★ EURIMAGES ★ EUROPEAN FILM BONDS (EFB) ★ FILM FUND LUXEMBOURG ★ FLANDERS AUDIOVISUAL FUND (VAF) ★ GERMAN FILMS ★ HUNGARIAN NATIONAL FILM FUND ★ ISTITUTO LUCE / CINECITTÀ s.r.l. ★ MACEDONIAN FILM FUND ★ MFG FILMFÖRDERUNG BADEN-WÜRTTEMBERG ★MINISTRY OF EDUCATION AND CULTURE OF CYPRUS (CULTURAL SERVICES) ★ NETHERLANDS FILM FUND ★ POLISH FILM INSTITUTE ★ AB SVENSK FILMINDUSTRI ★ SWEDISH FILM INSTITUTE ★ SWISS FILMS ★ TELEWIZJA POLSKA S.A. (TVP)
Directed by Chris Renaud and Kyla Balda. Featuring Danny DeVito, Zac Efron, Taylor Swift, Ed Helms, Betty White. 86 mins.
In cinemas July 27
YOU’LL SAY I’M OLD-FASHIONED AND LIVE IN THE PAST, BUT SOMETIMES I THINK PROGRESS PROGRESSES TOO FAST
In a land of wonder and whimsy, where every child should go, Dr.Seuss set a fable, one you must know. Of a Lorax and a Once-ler and the truffula trees; a stunning tale about the environment and greed.
But Hollywood’s spin has demolished the sweet universe, even eschewing Seuss’ singular verse. So in an M. Night Shyamalan-worthy ironic twist, a rapacious corporation makes a film about corporate rapaciousness!
Though the moral about eco-wrongs still lingers somewhere in here, all of the joy and the magic has been sucked from the air. The short powerful story, once so divine, has been stretched, pulled and padded to an overlong time.
To find the film’s message, first you must sift through needless romantic subplots between starlets Efron and Swift. Empty soulless pop-songs prove a forgettable drag (why didn’t they just use Tim Minchin’s tune ‘Canvas Bags’?)
Though the candy-floss truffalo trees prove a fluffy delight and there are nice vocal gags from Ms Betty White, the figures, like the moral, seem plastic and hollow and the cheap pop-culture gags prove hard to swallow.
Seuss’ heartfelt words are presented as ripe for mocking, and the irreverent disrespect is actually quite shocking. The dark meaningful tale is reduced to being cheesy – it’s vanilla, satire-lite Seuss, quick, cheap and easy!
After that awful Cat in the Hat and The Grinch from Jim Carrey, it’s easy to see why Seuss was so wary of letting his characters roam outside his books, reduced to blockbuster fodder and cheap meaningless hooks.
This money-spinning adaptation of Seuss for the masses (not to mention charging more for plastic 3D glasses) is a cynical move on Tinsel Town’s part inspired purely by the bottom-line, not at all by the heart.
So instead of paying for this film, buy the book! Go on do! Because Seuss’ voice is still sacred, and his morals still true. But unless someone in Hollywood starts to care a whole awful lot, these movies aren’t going to get better. Trust Seuss, they’re not.
As MovieExtras.ie celebrates ten years of putting the public on the big screen, the company is delighted to announce its Open Casting Weekend, taking place on July 13th & 14th in Dublin’s Westbury Hotel.
MTV’s Laura Whitmore began her career with MovieExtras.ie, finding out what the inside world of TV & film was all about.
So, for those who want a walk on part beside their favourite celeb or, like Laura, want to feed their curiosity about what really happens on set, MovieExtras.ie are holding this Open Casting Weekend, at which all members of the public are invited to sign up for membership, have their make-up done by MakeupFablicious.com and have a photoshoot with an award-winning photographer. Read more…
JAPANESE FILM FESTIVAL PRESENTS IRISH PREMIERE SCREENING AND DIRECTOR Q&A
access>CINEMA, in collaboration with The Embassy of Japan in Ireland, is delighted to welcome renowned anime director Makoto Shinkai to take part in a Q&A following the Irish premiere of his new film Children Who Chase Lost Voices From Deep Below, on MONDAY JULY 2nd at THE LIGHT HOUSE CINEMA, DUBLIN, 7pm. The premiere screening will be preceded by a rare opportunity to see Shinkai’s acclaimed short film, She And Her Cat, on the big screen.
Irish Times film writer Tara Brady will facilitate the Q&A.
International superstar Pitbull owes his break in the movie business to his raw talent, his global status and his razor-sharp lyrics. Oh, and he also owes a debt to a teenage girl.
“It’s true,” laughs the 31-year-old rap star. “The Men In Black director, Barry Sonnenfeld, asked his daughter, ‘Do you know this Pitbull guy?’ and she was like, ‘What do you mean, do I know Pitbull? Are you crazy? You’ve got to work with that guy!’”
The music sensation smiles: “Barry’s daughter was a major player in this.”
Much to the delight of Chloe Sonnenfeld, and millions of fans around the world, Pitbull delivers the signature track for the blockbuster movie MIB 3, the latest installment in the billion-dollar franchise that sees Will Smith and Tommy Lee Jones (and now Josh Brolin) protecting the earth from the scum of the universe. The song is called ‘Back In Time’ and it is a beat-laden slice of hip-hop infused with soulful groove and an uplifting, slick pop melody.
“I grew up loving the Men In Black movies and Will Smith is always someone that I’ve enjoyed watching,” continues Pitbull, who was born Armando Christian Pérez. “I’ve also admired what he’s done with his career, becoming one of the world’s biggest movie stars, but also an entrepreneur on the business side in Hollywood. So to be involved in Men In Black was a win-win situation.” Read more…
Following the release of his latest film Moonrise Kingdom, the IFI presents the unforgettable and unmistakable work of Wes Anderson, in a special season running from 2nd-24th June
Writer-director Wes Anderson is arguably one of the foremost cinematic stylists working in American film today; his rigorous and distinctive aesthetic approach makes his films instantly recognisable. Look past the framing, colours and impeccable soundtrack, however, and you’ll find Anderson the artist is a desperate optimist with a heartfelt empathy for his oft-troubled protagonists. To celebrate the release of his new film Moonrise Kingdom on 25th May, that premiered to acclaim at the Cannes Film Festival just a few days ago, the IFI presents the complete set of Anderson features throughout June.
Bottle Rocket (June 2nd) started life as a 13-minute short (also showing) that sufficiently impressed for Columbia studio to bankroll the full-length version, Anderson’s debut feature. This sunny shaggy-dog story served as a handy calling card for Anderson, whose trademark style was already remarkably well developed. With his follow-up, Rushmore (3rd June), he really hit his stride, establishing himself as a major talent with this seminal school comedy of ill manners. Precocious blue-collar teen Max Fischer, as incarnated by Jason Schwartzman in his screen debut, is one of the great screen rebels and Rushmore is by turns unpredictable, droll, whip-smart and achingly tender.
The Royal Tenenbaums (16th June), Anderson’s dramatic comedy about a dysfunctional family of troubled geniuses is one of the key American films of the new millennium. A gleefully larger-than-life Gene Hackman excels as the disruptive paterfamilias with a formidable ensemble all struggling with the unresolved parental issues that blight so many of Anderson’s protagonists. A visual love-letter to New York City, and perhaps Anderson’s greatest work to date, the film begs to be seen on the big screen once more.
Anderson’s penchant for stylisation goes into overdrive with The Life Aquatic with Steve Zissou (June 22nd), an elaborate fantasia on the high seas. Bill Murray, a key figure in Anderson’s oeuvre, uses his patented brand of ennui as the eponymous oceanographer Zissou on an eccentric but magnificently realised mission to eliminate the ‘jaguar shark’. On something of a world tour, The Darjeeling Limited (June 23rd) brings the trademark Anderson aesthetic and unresolved familial issues to India with an unlikely trio of estranged siblings, Owen Wilson, Jason Schwartzman and Adrien Brody, on a what’s meant to be a journey of self-discovery. However, all is not quite as it seems…
Fantastic Mr. Fox (June 24th), the season’s final film, is a faithful yet freewheeling adaptation of the Roald Dahl source material that fits perfectly with Anderson’s world. Our foxy hero (winningly voice by George Clooney) is torn between his past as a chicken poaching ne’er-do-well and his current life as an urbane family man. In the end, with Anderson, it’s always all about growing up.
Watching Wes Anderson Season Schedule:
Bottle Rocket June 2nd 14.30 Rushmore June 3rd 14.30 The Royal Tenenbaums June 16th 16.10 The Life Aquatic with Steve Zissou June 22nd 18.30 The Darjeeling Limited (with short film Hotel Chevalier) June 23rd 16.30 Fantastic Mr. Fox June 24th 14.00
Tickets will be available from 28th May at the IFI Box Office on 01 679 3477 or www.ifi.ie
THIS MAY BANK HOLIDAY WEEKEND THE LIGHT HOUSE CINEMA CELEBRATES THE WORK OF TIM BURTON
In advance of the release of DARK SHADOWS, the Light House Cinema will be taking a nostalgic look at the early work of Tim Burton with two Double Bills – PEE WEE’S BIG ADVENTURE/BEETLEJUICE and a Johnny Depp Double Bill – EDWARD SCISSORHANDS/ED WOOD.
The world of Tim Burton is as colourful as it is dark and as eccentric as it is accessible. We hope you’ll join us over the bank holiday weekend for some escapism at its most aesthetically pleasing.
PEE WEE’S BIG ADVENTURE – Sunday, 6th May – 6.30pm
Burton’s first feature length film and certainly his most under-seen, although PEE WEE’S BIG ADVENTURE is a children’s film, it is as strange and unsettling as any of Burton’s later work. Oddly likeable man-child Pee Wee Herman’s cross-country adventure is hugely imaginative, wonderful to look at and full of the quirk and stylistic nuances that would become Tim Burton’s trademark.
BEETLEJUICE – Sunday 6th May – 8.30pm
Burton’s first bona fide Hollywood hit, starring Michael Keaton as the most vile, uncontrollable “bio-exorcist” you could ever have the misfortunate of being haunted by. With a career-best turn from Michael Keaton, ably supported by Winona Ryder, Alec Baldwin and Geena Davis. Beetlejuice deals with tragedy and despair in that ghoulish but light-hearted way that only Tim Burton can pull off.
*Audiences member are permitted to “shake shake shake senora” where appropriate.
EDWARD SCISSORHANDS – Monday 7th May – 6.30pm
The first film in one of the great actor/director partnerships of all time, here Burton convinces teen idol Johnny Depp to cover up his face, mess up his hair and dress up in S&M gear to bring us a story about a gentle man, made by a lonely inventor, who died before he could give him real hands. EDWARD SCISSORHANDS is one the most beloved of Tim Burton’s films and balances his two loves, 1960’s pastiche and gothic aesthetic quite comfortably.
ED WOOD – Monday May 7th – 8.30pm
After years of taking inspiration from 1950’s B-movies, Tim Burton decided to pay direct homage to one of the most notorious figures from the annals of cult film, Ed Wood, bad director extraordinaire whose Plan 9 From Outer Space is commonly referred to as “the worst film ever made”. Far from making Ed Wood the butt of a joke, Tim Burton and his star Johnny Depp lovingly create a character whose ambition, passion and vision knows no bounds, except unfortunately his own lack of talent.
IFI presents German Film Week from 10th-16th May featuring new films from German masters Volker Schlöndorff and Andreas Dresen
This small selection of recent German films, presented in association with the Goethe-Institut Irland, opens and closes with new works by two of contemporary cinema’s finest directors, Volker Schlöndorff and Andreas Dresen, as well as featuring a host of emerging talents.
Schlöndorff was one of the leading lights of the so-called New German Cinema of the 1960s and ‘70s, and won an Oscar for his 1979 adaptation of Günter Grass’ The Tin Drum. It was while living in France and serving an apprenticeship to such French cinema giants as Louis Malle, Jean-Pierre Melville and Alain Resnais, that he learned about the dark episode from WW2 Occupied France that inspired his new film Calm at Sea. Set in a French internment camp this film about reprisal executions is scrupulously even-handed and unsentimental, but packs quite an emotional punch. The screening will be followed by a reception at the IFI provided by the Goethe-Institut Irland for all opening night ticketholders. Read more…
Dublin to Host International Celebration of John Ford
Filmmakers and film experts prepare to gather in Dublin to honour and celebrate the legacy of John Ford, one of the world’s most respected and influential filmmakers.
The inaugural John Ford Ireland Film Symposium takes place 7 – 10 June with a four day focus on film and filmmaking, inspired and informed by the timeless work of legendary Irish-American director John Ford.
Ford directed 137 films, worked on circa 80 other projects, documentaries & short films, and still holds the record for winning the most Oscars for his work as Director. Ford, whose parents were born in the west of Ireland, was the first recipient of the American Film Institute’s Lifetime Achievement Award, and received the American Presidential Medal of Freedom for his important war documentaries during his World War II American Navy service.
His work continues to be much loved by audiences around the world, with favourites including the big screen classics such as The Searchers, The Grapes of Wrath, Fort Apache, Rio Grande, She Wore A Yellow Ribbon, Stagecoach, The Man Who Shot Liberty Valance and How Green Was My Valley.
Ford kept strong connections with Ireland, where he made a number of films, the most important of which was The Quiet Man, consideredhis most personal film. Read more…
Directed by Constance Marks. Starring Elmo, Kevin Clash, Whoopi Goldberg, Frank Oz, Rosie O’Donnell, Cheryl Henson. 76 mins.
Rating: Three and a half/Five
In cinemas now
SWEET, UPLIFIFTING DOC ABOUT THE CREATOR OF ELMO IS A WARM LABOUR OF LOVE
As you know, Elmo loves you. But you might not know that Kevin Clash loves you too. The creator of Elmo, Clash is soft-spoken, mild-mannered, extremely kind and deeply talented – and is the probably most famous person you’ve never heard of. Despite Elmo being an international phenomenon (do doo de do do), Clash remained an unrecognizable face, happy just to be the brain and heart behind (and hand inside of) this fluffy, high-pitched, international symbol for love and hugs.